September 30, 2007

A Day in the Life of being Dave Mustaine’s Personal Assistant

11:00am

During the 3 hour journey from Philadelphia to Washington D.C., I have plenty of time to begin thinking about
what it is going to be like being Dave Mustaine’s personal assistant for the day. For starters, I remind myself why
the hell I am driving 3 hours to see Megadeth in Washington D.C. and not somewhere closer… something Dave even
asks me over dinner that evening. The answer is really simple; to hear Megadeth play the politically charged
“Washington is Next,” in Washington D.C. Like many of you, Megadeth’s music plays an important part in my life.
As a typical suburban kid (in my case growing up just outside of Philadelphia), life presented me with many
challenges growing up… some good and some bad. The constant positive attribute for me was always Metal. And for
me Metal begins and ends with Megadeth. I remember like it was yesterday going into “Listening Booth,” the now
defunct record chain, to buy “Killing is My Business… and Business is Good” in the summer of ’85. And well… here I
am 24 years later and Megadeth and I have a lot of history together. I am fortunate that my love for metal and some
true perseverance had allowed me to become a pretty successful business owner by age 30. I own a 40 person
national advertising agency called 160over90 in Philadelphia, and we do some seriously cool creative work around
the country for the likes of American Eagle Outfitters, Sobe Beverages and Sony Pictures. Prior to today, I hadn’t
worked for another person in over 14 years. And today wasn’t just about working for any another person. It was
working for Dave Mustaine… you know that guy who was in some band called Metallica? The pioneer of the
American thrash metal movement? The founder of Megadeth - one of the most commercially successful heavy metal
bands of all time?

Having been a fan since 1985 and working as producer for MTV Networks in the early 90’s, I have had the pleasure
of meeting Dave Mustaine several times. Despite having sold more than 20 million albums worldwide, including six
consecutive platinum albums, Mustaine has always been gracious enough to sign autographs or chat with fans
alongside the tour bus. On several occasions, I’ve even had backstage passes for official band meet & greets before
and after shows. Of course, all of these situations are just as the name applies: meet & greets. You say hi… get a CD
cover signed and the band is on their way. Though memorable moments in my history with Megadeth, these
encounters don’t prepare you for spending almost 10 hours with Mustaine.

3:00pm

As I arrive at the 930 club in Washington D.C. the pace at the venue is frantic. For being a smaller club show, I am
amazed at the amount of personnel and accompanying gear that it takes to make a Megadeth production a reality. I
can’t really say that I was nervous to meet Mustaine again… I was more nervous about being a lousy personal
assistant. Like what if Dave wanted only brown M&M’s and a red one sneaked in there during the pre-show
rehearsals and he kicked me out of the backstage area? I could see the headline on Megadeth.com “Successful
Advertising Executive amazes clients, but fails Mustaine.” As I entered the venue this was the kind of stuff going
through my head…

I met up with Jeff James, the tour’s production manager and lighting designer, to determine what my
responsibilities would be for the day. Despite Jeff being incredibly busy trying to get the stage prepared for the 4:30
Megadeth sound check, Jeff stopped what he was doing and took time to make me feel like I was part of the team.
As he needed get back to testing and adjusting the lights for tonight’s performance, I was ushered up to the dressing
rooms and the adjacent production office to meet Tracey Wiedeman – Megadeth’s assistant tour manager. From the
official backstage signage above her production desk, I quickly learn that she is known to the crew as “MegaBlonde.”
Her first order of business was to get me my official Megadeth tour pass that would allow me to have the necessary
stage access to serve Mustaine’s needs. As she pulled out the passes, I noticed that she took out a sharpie and began
crossing out several of the options on the pass, including “VIP”, “GUEST”, etc. What she did leave were the words
“Working Crew.” At first I figured… I guess that means I’ll have to stay out of the backstage area and as for the
dressing rooms and access to the band… well I might as well forget it. Also included on the pass was the
abbreviation “DMPA.”


Without reading too much into it, I quickly realized that meant “Dave Mustaine’s Personal Assistant”. So here I am
30 minutes into my experience and I’m thinking I am not a “VIP”… hell I’m not even a “Guest” and it looks like I’ll
probably just be fulfilling Dave’s personal needs through the tour manger. As you will soon see…. I couldn’t have
been more wrong!

A few minutes later, Dave exits the dressing room and I am officially introduced to him as his personal assistant for
the day. As Dave approaches me backstage and is shuffled from one area to the next, I can tell he is incredibly
focused and clearly following a tight schedule. However, he kindly stops and introduces himself to me and says he’ll
be with me a little later as he needs to workout right now.

Tracey confirms with me that after sound check, which is scheduled for 4:30pm, Dave will be indeed working out in
the dressing room. This leads to my first assignment… find Mustaine’s gym bag. Sounds easy… but as I learn
nothing is easy on tour. And with my first assignment I am off and running… to the tour bus. The first thing that
strikes me about this experience is that they treat me like I’ve been on this tour the whole time. I mean they are like
just go down to the bus…walk on… go to Dave’s bunk and grab his bag. They make it sound like it is just an everyday
occurrence. As I leave the dressing area, I am now beginning to realize how kick ass of an experience this is going to
be… and I soon realize that not being a so-called “VIP” or “GUEST” has its advantages. As I walk toward the bus, I
pass a huge line of people that have already begun lining up for the evening’s show. As I pass a sea of Megadeth fans
who are lined up hoping to just get a glimpse of Mustaine, I can’t believe I am about to just walk right on the bus
and head to Dave’s bunk. With total confidence, I grab the door handle and prepare to enter the bus… and soon
realize the bus is locked. F%$K. What the hell do I do know? I knock of course. Unfortunately, that is met by
drummer Shawn Drover pulling the drapes shut on the front of the bus and ignoring my plea for Mustaine’s bag. I
quickly realize that he must just think I am some crazy fan banging on the bus door. Now what? I can’t exactly go
back to the dressing room and tell Dave Mustaine I don’t have his gym bag. I do some quick thinking and
fortunately recognize Dave Mustaine’s guitar tech, Willie Gee. I grab Willie and tell him that I was sent down to get
Dave’s gym bag, but the bus is locked and asked for his help. Willie is a real cool dude who, aside from being a great
guitar tech, seems to bring a bit of levity to the day in and day out chaos of the tour. He used to be Glen Drover’s
guitar tech, but after the Black Sabbath tour this summer he moved over and now works with Mustaine. With the
help of Willie, I get on the bus and get formally introduced to Shawn and Glen, who are both just chillin’ on the bus
watchin’ old Frank Zappa DVD’s. Both guys are super cool to me and point me in the direction of Dave’s bunk.
Again. I can’t help thinking how everyone I’ve met thus far has this total blind trust in me. I mean how many bands
have you ever heard of that allow total strangers to join a tour, hang backstage and have access to a bands personal
space and belongings. It is just mind-boggling. And something I obviously take very seriously. Long story-short…
Mustaine’s bag arrives safely to his dressing room and my first mission is a success.

4:15pm

Megadeth has decided to hit sound check a little early this evening to work on a few songs in the set list. This is truly
where I get my first glimpse into Mustaine’s desire to give audiences the best Megadeth performance possible. At
this point of the year, Megadeth has performed over 70 shows across the world and played in front of over a million
people. By all accounts… Megadeth is a fine-tuned touring machine by the time they hit Washington D.C. Sounds to
me like a good day to take it easy and reap the benefits of being this far into a world tour. Good thing Mustaine isn’t
taking direction from me, because he has much different plans this afternoon. As Dave joins the rest of the band
onstage for soundcheck, he already has specific direction for the band and what songs need to be worked on while
rehearsing. To mix things up, Dave decides that he wants to play extended versions of the hits “Symphony of
Destruction” and “Peace Sells” to conclude tonight’s show. As they rehearse the expanded middle section of
“Symphony,” the word conductor certainly comes to mind. Dave is not only an extremely talented frontman and
guitar player, but he has a deep understanding of presenting the music as a whole to the audience. Realizing that
Megadeth’s music is more than just his signature guitar riffage or snaring vocals, he collaboratively works with each
band member to develop music fills to accent certain parts of the song. It is clear that Mustaine is not leaving this
soundcheck until he is convinced that this crowd is going to get the best Megadeth performance they’ve ever seen.
At this stage of his career, Mustaine could choose, like a lot of rock stars, to just go through the motions and deliver
a sub par performance. And the funny thing is that a legion of fans would still probably come back year after year to
see Megadeth. Thankfully, that is not the case with this band, as over 45 minutes is spent working out every detail
for this evening’s show. Half of soundcheck is spent working out certain parts of the complex 6 minute plus “Ashes
in Your Mouth” with both his bandmates and stage crew.


Music and lighting cues are worked on as is an exact reproduction of the song’s ending, which on the original
recording features a perfectly timed drum solo / guitar fade out. Dave has caught a lot of flack over the years in the
media about him obsessing over things and being somewhat difficult to work with. I can’t speak for what others
have experienced over the years, but I can tell you that witnessing things first-hand, I find it hard to fault someone
who chooses to take the more challenging path when providing for fans. All I know is that after watching
soundcheck, you’d better be a seriously dedicated musician to play in this band. Dave knows kids pay a lot of money
for these concerts and he’s not about to disappoint.

As the band left the stage, I take a moment to chat with Willie Gee about Dave’s current guitar set-up. As I had
complete backstage access, hanging out and checking out Dave’s guitars, amps, etc. was completely within my
control. As a fellow guitar player and big Mustaine fan, the first thing I noticed was the absence of those Line6
Amplifiers that Dave had talked about and was playing thru on the Black Sabbath tour. As many of you know, Dave
had been playing Marshall Amps most, if not all of his career, so the switch to a Line6 custom prototype amp was a
shock to us all. It looks like Glen Drover is still using the prototype amps, but Dave has completely switched back to
the Marshall EL34/100 Power Amps and Marshall Cabinets for this leg of the tour. He is still using his Rocktron
Prophecy Pre-amp for his gain stage and effects. Dave’s set-up is actually pretty simple and it makes you realize how
much of his sound comes from his playing style; not the equipment he actually uses. With that said, Dave only has
about 4-5 presets that his guitar tech switches in and out during the entire 1 ½ hour performance. They range from
his standard rhythm preset, which is derived from the appropriately named gain stage in the Rocktron Prophecy
called “Megadrive” to his lead preset, which just adds a little chorus and delay for Dave’s solos. Unlike many
frontman, Dave not only sings and plays rhythm guitar, but he actually plays guitar solos in many of Megadeth’s
songs. This means Dave’s guitar tech is constantly switching between Dave’s rhythm sound and his lead sound
within milliseconds of each other. It all sounds easy, but when you see this live you realize the level of precision
required. “Washington is Next” has its own preset and when going in and out of most solos, Dave uses a preset
called “Rhythm Spill,” which allows the delay settings in the solos to trail off naturally, instead of abruptly cutting
off. Think of the end of the solo at 5:40 minutes into “Holy Wars” here….

As for Dave’s guitars… he is using his new Dean Signature guitar exclusively these days. Stage right he keeps several
guitars, including a Black Dean Signature V, which he opened the show playing, a “Gears of War” painted Dean
Signature V, an Amber Dean Signature V (prototype #4) and his new “Angel of Death” Dean Signature V, which can
be seen in the new “Never Walk Alone” video and is named for the killer, almost angelic, blood red / white wing
inspired paint job. I’ve heard this will apparently be an official release down the road from Dean. For those guitar
players out there, I am fortunate to own one of Dave’s new signature Deans and they are nothing short of amazing.
Dean already makes an amazing guitar and under the watchful eye of Mustaine, they have created a beautiful
playing guitar.

One of the cooler things I saw, while hanging out with the guitar tech, was how Dave likes to pre-bend his picks. It is
hard to explain, but they almost have a curve to them, which Dave seems to prefer when picking. Needless to say,
much time is spent preparing these picks and having them ready for Dave during his performance. Thanks to Dave
and his guitar tech Willie, I now have a few of these yellow beauties for my own playing at home.

After soundcheck, I was asked to prepare some United Abominations CDs for sale at the t-shirt booth. Basically, on
this leg of the tour, you can get a United Abominations CD that has been signed by the entire band for $30.00. My
job was to open a rather large case of CDs, take them out of their plastic, pull out the CD jacket and get them signed
by the band. This was another one of those situations, like going on the tour bus, where I was just told to have the
band sign them. What does that mean? Do I hunt them down on the bus? Go to their dressing room? I was given no
clear direction… just get it done. Therefore, I headed to the backstage area, past security… it seemed like this
“DMPA” backstage pass was really working… up a flight of steps and there it was… Megadeth’s Dressing Room! Of
course the door had to be closed… and I had to make a decision on what to do. Knock. Right? Wrong. After a few
knocks… and a few more… Dave comes storming to the door drenched in sweat. And here I am like “Hey… can you
sign a few of these CD’s for me?” It is obvious that I just interrupted his pre-concert workout. He tells me he is
working out now and he’ll be available at 5:00pm.” He closes the door and I look at my watch. It is 5:15pm? O.K. I
am 1 for 1 at this point. Like any good assistant, I don’t get discouraged. Chin up and off for my next errand, I need
to find some protein drinks for Mustaine when he gets off stage. Armed with the “Tour of Duty” American Express
card (man they really trust me…), I am told to pick some flavors that Dave might like… what the hell does that
mean? Vanilla, Chocolate… your leaving it up to me… I’m thinking what if Dave hates Chocolate? I mean I like
Chocolate… but maybe Dave’s a vanilla kind of frontman. This working for someone is tough stuff.


6:00pm

I get back to the venue armed with enough protein drinks to last Dave for the rest of the tour. For the record… 3
chocolates and 3 vanillas. I head downstairs and decide to eat with the crew. The fully catered dinner provides the
crew a nice variety of fish, salads, etc. Nothing too heavy… with a slight emphasis on eating healthy. As I sit and
begin to enjoy my dinner, I am beginning to really take in the experience and the level of access I have been blessed
with experiencing today. As I am about half way through my meal, I look to my right and here comes Dave Mustaine
walking toward the table. With a table filled with crew and band members, I’m figuring there is no way he is going
to sit next to me. What does he do… grabs some food and sits right across from me. The first words out of his mouth
are an apology to me for when I knocked on the door at 5:00pm to get some CD’s signed and he not realizing it was
already 5:00pm. This is the first of many conversations and exchanges I witness throughout the evening that shows
the kind of person Mustaine really is to his fans. Kind, considerate and humble. Let’s call it what is… Dave’s the
frontman for one of the most famous metal bands of all-time and he didn’t have to even acknowledge who I was…
let alone apologize to me and make sure I felt a part of the team.

After our initial exchange, he says, “So Marc… what do you do for a living?” I am blown away that he even
remembers my name… let alone strikes up a conversation with me. I tell him I am from Philadelphia and own an
advertising agency there. He asks me why I am here in Washington D.C. to see Megadeth and not closer to Philly.
This begins a 30 minute 1 on 1 conversation that touches on everything from eating well, to workout regiments, to
Gigantour 2008, to the betrayal of the American icon “Mickey Mouse.” We spend a good amount time talking about
the latter, as we discuss the recent boycotts of metal concerts by Disney owned House of Blues and their impact on
rock music in general. What makes a conversation with Mustaine so enjoyable is that his comments are not only
entertaining, but intelligent and thoughtful. This is not to say Dave has lost his angst… his snarl… his cynical side…
it just seems he is in total control with himself and where he is in his life. As we jump from topic to topic… we do so
with ease… I find him to be a great listener and an equally good debater. However, I never feel pressured to fill the
air; nor does Dave try to control the direction of any topic or discussion. And of course… I keep asking myself can
this really be happening. Am I really sitting here eating dinner with Dave Mustaine talking about Mickey Mouse?

After dinner we head toward the dressing rooms… and at this point… I use the word “we” as they’ve made me feel at
home and to some degree I feel like I’ve been welcomed into the tour. There is that one last awkward moment
though… When the band enters the dressing room and you’re trialing behind and the door closes. Do you go in and
hang out? Or just stand outside the door waiting for direction? I equate the experience to the first time I went
skydiving… your standing on the edge of the wing… wind in your hair… 17,000 ft high and you kind of just have to
say f%&k it and let go of the wing. Otherwise, you’ll freak yourself out and never jump. I get the sense early on that
you need to be persistent back here or you won’t get what needs to be done completed. Feeling intimidated is not an
option. I take a deep breath and walk right into the dressing room like I’m a fifth member. “Guys, I need you to sign
this stuff, so I can get it downstairs before they open the doors.” They couldn’t have been more cooperative and now
I’m truly part of the ultimate Megadeth experience. Over the next 3.5 hours… I am granted unimaginable access
into the lives and tour regiment of Megadeth… Much of what I see and hear during this time will be something I’ll
never forget and most of which will never be shared with the outside world. What I can say is that for much of this
time, the dressing room is made up of the four members of Megadeth and me. And in many cases… it is just Dave
and I hanging out. As I help Dave with various tasks to get him ready for the show, I keep thinking at some point he
is going to tell me to get the hell out of his dressing room. Not once did he ever tell me that; nor even hinted at it.
And for the record, he doesn’t just eat brown M&M’s.

About two hours to showtime, the band has reconvened back in the dressing room. This time around they are
armed with two small Line6 Spider practice amps and an IPOD, Megadeth is once again walking through the
complex “Ashes in Your Mouth” from Countdown to Extinction. Again, it is the four band members and me in a
small room. I am truly a fly on the wall… watching Mustaine, Lomenzo and the Drover Brothers workout their
magic first-hand. What is more amazing is that they are playing along to the original recording of Ashes… Dave
truly wants to make sure fans experience older songs in their original form. As you can imagine, words cannot really
describe what it is like being allowed to experience this band at the proximity... lets just say it is jaw dropping.


7:45pm

The band holds a small VIP meet & greet upstairs in the dressing area. Instead of being a guest on this meet & greet,
I am actually the one who gets the fans and brings them back to the dressing room to meet the band. I just stand
back with a smile on my face taking it all in. After about 15 minutes with the band, I escorted the group out to the
show floor and head back to the dressing room. Not being sure what the rest of the night would bring, I asked Dave
if he minded signing a guitar I had brought along. He said sure bring it in… I was the fortunate owner of a Dean
Dave Mustaine Signature Guitar. Prototype #8 to be exact. As I brought the guitar into the dressing room, Dave
asked me “What the hell is this?” I said… this is one of your prototype guitars… I said I think for a certain period of
time you and I were the only ones to have this guitar in the world. Dave of course owns prototype’s #1-7 and mine
was #8. Keeping his composure, he told me I was not supposed to have this guitar. Only he was. I figured… I had
just screwed up my whole experience…. I had one of his guitars that were not supposed to be released to the public
and he wasn’t happy. Then he took it out of my hands… for a minute I thought he was going to smash it… and said
where do you want it signed. With gold marker in hand, Dave etched his signature and accompanying Anarchy
symbol on the headstock and handed it back to me. After the show, with a snarl and smiling grin he said to me,
referring to the guitar’s uniqueness, “I hope you know what you have there.” I simply answered, “I sure do Dave!”
All was good.

As the rest of the band made their way back to the bus, I realize more and more that Dave has a much more difficult
schedule then the rest of the band members on tour. As Dave explains to me, he doesn’t have the luxury of sleeping
in on many days, as he has daily press he must do in the morning and spends a considerable amount of time
working on innovative ways to reach out and stay in contact with the Megadeth fan base. Hours before the band hits
stage, Dave is busy working with a technology called Answering Messages SayNow (a service that enables celebrities
to connect to their audience over the phone). As many of you know, Dave has allowed fans to call him throughout
the tour and leave him messages on his phone for free. Much to my surprise, I witnessed Dave sitting in the
dressing room with guitar in hand, personally calling back fans one by one. This went on for over an hour and
concluded just before show time. And if that was not enough, Dave was also busy participating in online chats,
approving website updates, finalizing an Australian tour and planning next year’s Gigantour. He is a busy man
indeed.

9:00pm

An hour before show time, the rest of the band is making their way back to the dressing room and Dave asks me if I
drink wine. I’m like yeah. Dave’s like “Great. Then join the band in some pre-show wine.” At this point, I’m like
could this experience get any cooler. I open up two bottles of wine and let just say the rest is Megadeth history. As
many of you know, Dave is not the same crazy guy he used to be, so the pre-show antics are non-existent with
Mustaine. Dave is in some serious shape these days. I don’t know what his health regiment has been over the years,
but I can tell you first-hand that Dave takes his well-being on tour very seriously. At this point in the night, these
guys have made me feel like the fifth member of the band. I’m actually feeling guilty for just hanging around and
sharing a beer or two with James, Glen and Shawn. At one point, I did notice that the band had a refrigerator of Sol
beer, but had no limes. I took it upon myself to fight my way through the crowd to the nearest bar and get a glass
full of limes for the backstage area. This effort seemed to be well received by the band and at this point I think I had
earned their respect to a new level.

10:00pm

With 2 minutes to show time, I head downstairs just ahead of the band. It’s always a cool moment when the lights
go down and a roar goes up. But there are certain shows where that anticipatory energy is just overwhelming, which
was definitely the case Sunday night at the 930 Club in Washington D.C. With Megadeth’s Fall Tour of Duty in full
swing to support Megadeth’s politically charged new studio album “United Abominations,” Mustaine’s lyrical
sarcasm and condemnations of the powers that be are stronger than ever and seemed most appropriate being
played on a stage just a few miles from the White House.


Opening the show with the one two punch of UA’s opening track “Sleepwalker” and the war charged “Take No
Prisoners” from the “Rust in Peace” era, the crowd was whipped into a head banging frenzy. But it was the night’s
third song, the political dirge “Washington is Next,” that set the stage for the night’s political soapbox. As Mustaine
welcomed Washington D.C. to their official Tour of Duty, he told the crowd that this song used to be called
“Washington is Next”, but tonight he claimed… Washington is Now! And with that, Megadeth was off and running
through a blistering, near perfect, 1 ½+ hour set that featured songs from throughout their career. I watched the
show from side stage, alongside the guitar tech. And it is truly amazing to see this band up close… and even more
impressive to see Mustaine’s playing within an arm’s length.

To the average fan the show looks and sounds amazing and seems to go off without a hitch, but in the backstage
area the performance is tense. This is serious work and throughout the show Dave is perfecting things… as the crew
and Dave use various hand signals to tweak the sound and lights. Various notes are taken by Willie throughout the
show and written right onto the setlist, so they can review them the next day and make any necessary modifications
to tomorrow’s show.

Once backstage, Dave and I chat about the night’s performance and he apologizes for the tension of the backstage
area. Personally, I kind of loved being in the thick of things and really thought it was business as usual and what I’d
expect on a tour of this caliber. He summed it up by saying, “we run this tour like the military,” referring to the
teamwork and precision required to pull off a Megadeth performance. Again, this is one of those moments where
you go I can’t believe Mustaine and I are talking about the show’s performance at this level. This guy has no reason
to explain any of this to me, but yet here he is making me feel welcome and part of the Megadeth team.

12:30pm

I’ve packed all of Dave’s wardrobe and personal belongings into his suitcases and load them on the bus and am then
invited to hang with the band at an underground bar. Dave ends the night by telling some great stories about his
good friend Slash and Scott Weinland’s days in STP. In between conversation with Dave, I spark up a conversation
with bass player, James Lomenzo. What a super cool dude. We talk about him growing up in Brooklyn… moving to
LA… his time playing with White Lion… Black Label Society, etc. At one point, he asks me what I do and I tell him.
He says, “I knew you had to do something out of the normal, as you’re one of the most intelligent people I’ve ever
met backstage.” Now a few beers into the evening, I’ll take that as a compliment for my hard days work. However,
after what I’ve seen today, I’m just not surprised of getting such a compliment. The reality is that this band is made
up of some really special people who care about their fans. I’ve heard Mustaine talk before about the “Golden Rule”
on tour, which is “we treat people the way that we want to be treated” and I can tell you first-hand that it is
practiced on this tour. Though Megadeth is clearly Mustaine’s baby, each member (including Dave), appreciate
what they do and they don't take it for granted and they don't abuse the power that they have in this band. Most
importantly, they are in it for the music first and having a goodtime doing it. And for those of us who are lucky
enough to meet them up close, you’ll too realize that this version of Megadeth is genuine and looks to be around for
years to come.


1:45am

As the night came to a conclusion and I began my trip back to Philly, I couldn’t help but draw comparisons between
Steve Jobs of Apple and Dave Mustaine of Megadeth. I just kept thinking of Dave as the CEO or President of
Megadeth… and realizing that the corporation (in this case Megadeth), while paying homage to its history, had to
keep reinventing itself and finding new ways to spread its music and connect with its audience. Times have indeed
changed within the music world and the economics of music are very different then they were in 1983. Thanks to
Dave’s hard work and commitment to us all, the “Megadeth” brand is alive and thriving in 2007 and the future for
fans is promising.

Dave: thanks for staying true to your fans after all these years and giving me an unforgettable experience that I
won’t soon forget.

Best Regards,

Marc

P.S. Australia, Thailand, Singapore, Korea and Japan. Prepare to have your asses kicked!!!